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Celebrating Lyubov Popova

Posted by Socialist WebZine On 8:37 PM

Lyubov Sergeyevna Popova - (April 24, 1889 – May 25, 1924) was a Russian avant-garde artist (Cubist, Suprematist and Constructivist), painter and designer. She was also a rarity in the highly masculine world of Soviet art.

In 1916 she joined the Supremus group with Kazimir Malevich, the founder of Suprematism, Aleksandra Ekster, Ivan Kliun, Nadezhda Udaltsova, Olga Rozanova, Ivan Puni, Nina Genke, Ksenia Boguslavskaya and others who at this time worked in Verbovka Village Folk Centre. The creation of a new kind of painting was part of the revolutionary urge of the Russian avant-garde to remake the world. The term 'supreme' refers to a 'non-objective' or abstract world beyond that of everyday reality. However there was a tension between those who, like Malevich saw art as a spiritual quest, and others who responded to the need for the artist to create a new physical world. Popova embraced both of these ideals but eventually identified herself entirely with the aims of the Revolution working in poster, book design, fabric and theatre design, as well as teaching. At 0.10 she had exhibited a number of figurative painted cardboard reliefs in a cubist derived style. In 1916
she began to paint completely abstract Suprematist compositions, but the title 'Painterly Architectonics' (which she gave to many of her paintings) suggests that, even as a Suprematist, Popova was more interested in painting as a projection of material reality than as the personal expression of a metaphysical reality. Popova's superimposed planes and strong colour have the objective presence of actual space and materials.

From 1921–24 Popova became entirely involved in Constructivist projects, sometimes in collaboration with Varvara Stepanova, the architect Alexander Vesnin and Aleksandr Rodchenko. She produced stage designs: Vsevolod Meyerhold's production of Fernand Crommelynck's The Magnanamous Cuckold, 1922; Her Spatial Force Constructions were used as the basis of her art teaching theory at . She designed typography of books, production art and textiles, and contributed designs for dresses to LEF.

Popova died of scarlet fever in 1924 in Moscow. A large exhibition of her work opened in Moscow on December 21, 1924.

from Wikipedia



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